Andrew Neiman's Drumming-of-Age

     The 2014 movie Whiplash is not officially described as a coming-of-age narrative, but the way the values of the protagonist Andrew Neiman (Miles Teller) are challenged by his mentor Terence Fletcher (J.K. Simmons) and his family all follow the patterns of a coming-of-age narrative. 

    Andrew has been an ambitious drummer for as long as he can remember. But after joining the prestigious conductor Fletcher's special ensemble, the conductor's emotionally abusive style of teaching introduces to Andrew intense anxieties about his future for the first time, pushing him to practice the drums to the point of bleeding. Andrew believes in Fletcher's philosophy of giving one hundred percent effort towards your art to become great, so his ambition to become great constantly pushes him to great stress and pain. We watch Andrew himself curse his own supposed shortcomings whenever he is humiliated by Fletcher, showing his concurrence with Fletcher's ideas.

    At the same time, we learn that Andrew's family values Andrew's achievements in music very little. With all the stress Andrew has been enduring in order to improve, they show almost no interest in his endeavors, treating his music career as a naive, unstable dream. Andrew is misunderstood by his family and is seen as naive, which is common in coming-of-age narratives.

    Eventually, Andrew finds himself late for a recital and gets in a car crash trying to speed to the auditorium, and instead of seeking help he climbs out of the car with his sticks and limps the rest of the way to the auditorium, prioritizing his spot on the ensemble more than his own health. A broken arm leaves him unable to play and expelled from the ensemble. Through contemplation with his Dad and a lawyer, Andrew realizes that Fletcher's one hundred percent effort philosophy has led many other students to harm and that it would not lead him to eventual greatness. In this moment, Andrew matures and realizes the philosophy he had been following was hurting him and people around him. His growth past his harmful mindset is further shown by his desire to reconnect with his ex-girlfriend, who he had broken up with in the belief that she would get in the way of his improvement as a drummer. A protagonist's growth out of naive values is an essential element of coming-of-age stories.

    Finally, Andrew simultaneously shows his growth and redeems himself to his family in one final stunning scene. His family gets to see him perform on a big stage, where he takes control of the performance and uses all the techniques he had practiced throughout the film perfectly in an almost five-minute-long solo. He does this not as his tired, one-hundred-percent overworked self, but as a mature musician that knows what he can realistically do to push himself to become great. The satisfying coming-of-age of Andrew Neiman from an ambitious student into confident musician is Whiplash's main focus and success as a film.

Comments

  1. I haven't seen Whiplash but I have wanted to. Its interesting that it takes a climatic moment of physical pain to get him to realize what had been controlling his life. Lots of the time in coming-of-age it seems that those values are formed in rejection of the values forced on them, but in this it seems to be adopting what was forced on him.

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  2. I haven't seen Whiplash either, but it seems like a good story of how a young man realizes that life is not all black-and-white as we tend to think it is. Unlike The Catcher in the Rye, it appears that Andrew has successfully came-of-age as a mature, responsible adult.

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  3. I really like how you described the mindset of giving "one hundred percent" as being naive, because typically that's kinda associated with a positive connotation. A lot of times completely devoting yourself to something is seen as admirable and shows you have an immense passion for that thing, but Whiplash demonstrates how Andrew takes that idea to the extreme where he only cares about music, and nothing else in his life. I also like the ending where he does kind of an impromptu solo which represents his independence, another aspect of coming-of-age.

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  4. I've been wanting to watch Whiplash for a while and never got to doing it. I like how you mention that Andrew's coming-of-age was "instigated" by his mentor's challenging teaching style. A lot of other coming-of-age stories are started by more gradual events (such as transitioning to high school, navigating new friendships, etc.), while this is more sudden, like Holden's vision of falling off a cliff. Again, I haven't actually seen the movie, but it seems like Andrew was forced to grow up faster to adjust to all of his mentor's expectations.

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